Ebersole’s practice takes an expanded approach to printmaking and the multiple, exploring themes of resistance and transformation through both traditional and nontraditional techniques. Central to her work is gelatin as a sculptural medium, a bodily material with its own inherent agency. She casts gelatin from everyday objects such as storage bins, roofing panels, and gutters. As the material dehydrates, it transforms into hardened, crystalline forms reminiscent of skin, rock, and ice. These surfaces both record and resist the structures they come from, disrupting the boundaries of their original molds. Ebersole perceives this material interaction as a metaphor for resistance and transformation, illustrating the abundance of possibility that can be found within systems of order and control.

Alongside her sculptural work, Ebersole creates monotypes and lithographs using gelatin and found objects as matrices. These prints function as both an archive of the sculptures in states of change and a record of time and place.

Ebersole holds a BFA in Printmaking from Metropolitan State University of Denver and an MFA in Printmaking from Ohio University. Her work has been exhibited nationally at institutions including the Westmoreland Museum of American Art, Center for Visual Art, Blue Star Contemporary, SPACE Gallery, and Morgan Contemporary Glass Gallery.

In addition to her artistic practice, Ebersole is an educator having taught drawing, mixed media, and printmaking at Carnegie Mellon University, Seton Hill University, and Carlow University. She also founded Meshwork Press (2024-2018), a community-minded print shop in Wilkinsburg, PA, dedicated to serving high school students living in under-resourced neighborhoods through work training and free art, design, and entrepreneurship programming.